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Some Nights I Don’t Sleep. On Those Nights, I Write Songs.” — King Falcon on Wait, the 1959 Corvette, and What’s Coming Next

<a href="https://exposedvocals.com/band/king-falcon/">King Falcon</a> — Interview | Exposed Vocals
Interview/// King Falcon/// Wait/// Alt-Rock/// New York City/// Mercury Lounge May 12/// Exposed Vocals/// Est. 2006/// Interview/// King Falcon/// Wait/// Alt-Rock/// New York City/// Mercury Lounge May 12/// Exposed Vocals/// Est. 2006///
Artist Interview Exposed Vocals — In Their Own Words
King Falcon
“Some Nights I Don’t Sleep. On Those Nights, I Write Songs.”
Alternative Rock New York City Michael Rubin · Joe Conserva · Dip Chakraborty #1 Amazon Music Breakthrough Rock Guitar World — One of NYC’s Most Exciting Bands New Single: Wait

NYC alt-rock trio King Falcon have been building something relentlessly — 150+ shows, 1.5M streams, and a growing reputation for live shows that don’t ask permission. Ahead of their May 12 Mercury Lounge show, frontman Michael Rubin talks about the weight of past choices, a 1959 Corvette in the middle of the LA wildfires, and why Steely Dan matters more than The Strokes.

Question 01
“Wait” deals with confronting mistakes and the weight of past choices. How personal is this song — are you writing from lived experience, or is it more of a character study?
Michael Rubin

I’ve never made any mistakes in my life. And I have zero regrets. Every single choice I have ever made has been perfect…

In all seriousness, though — I think it’s impossible to get this far in life without having moments like that in your past. The things that keep me up at night are the things I couldn’t fix. Sometimes, you just have to live with that. Some nights I sleep better than others, and on the nights I don’t, I write songs.

“The things that keep me up at night are the things I couldn’t fix. Some nights I sleep better than others, and on the nights I don’t, I write songs.“

Question 02
The video was shot in a 1959 Corvette during the LA wildfires. That sounds like chaos — walk us through what that day actually looked like on the ground.
Michael Rubin

It was nuts actually. The fires were spreading and the sky was full of ash. You couldn’t see the flames but there was a constant sense of impending danger from every single person in LA. The crew was worried about their families but luckily our team was among the fortunate ones to avoid disaster. Scary stuff.

On a lighter note — the car was wonderful. It’s like a go-kart with horrible brakes. I did a few donuts in the middle of Hollywood Boulevard. That was probably my favorite part. When we gave it back I parked it in the lot and just stared at it for a while. I still miss it sometimes.

Question 03
“Plastic Crown” hit #1 on Amazon Music’s Breakthrough Rock Playlist and landed on MediaBase Radio in its first week. Did that kind of traction change anything about how you approach writing or releasing music?
Michael Rubin

Not at all. I think that once you start writing based on charts, you’ve doomed yourself. Obviously, I’m happy that people like the song, but even if they didn’t, that would be fine.

Question 04
You’ve played over 150 shows in the last two years — shared stages with The Struts, Sublime with Rome, Des Rocs. What’s the live room teaching you that the studio can’t?
Michael Rubin

If you don’t treat every single moment on stage like it’s your last moment alive then you’re missing the point. There are no “do-overs” and there are no second first impressions. Every second has to be special and you have to be completely engaged for the entirety of it. It doesn’t matter how many miles you’ve driven, how sick you are, or the type of day you had. You have to go up there and amaze people and that’s not an easy thing to do.

“There are no do-overs and there are no second first impressions. You have to go up there and amaze people and that’s not an easy thing to do.“

Question 05
King Falcon formed in Brooklyn in 2020 — right into the pandemic. How did that shape the band’s identity before you’d even played your first proper show?
Michael Rubin

We actually formed in Queens!

I think the truth is that we just had to make-do with the situation at hand. We couldn’t book shows and we also couldn’t afford to waste time, so I just wrote and wrote and wrote and learned how to be a better songwriter than what I was going into the band. Covid gave me the time to do that.

Question 06
Your sound sits at the intersection of The Strokes, Arctic Monkeys, and Foo Fighters — but what’s in the DNA that those reference points don’t capture?
Michael Rubin

The funny thing is that I don’t really listen to any of those bands besides maybe a handful of Foo Fighters songs.

I think the truth is that our influences would be closer to the ones that those guys had. Zeppelin and Floyd and all the classic rock stuff… for me personally, the king of the hill is Steely Dan which is sort of in a slightly different time period and genre. With them specifically, I admire their perfection and musicianship. I think we strive for that same level of perfection in our live show, although the sound is very different.

It’s tough to listen to other bands in the same genre as King Falcon. It’s like — when you work in a pizzeria, you don’t go out to eat pizza for dinner, you know?

“When you work in a pizzeria, you don’t go out to eat pizza for dinner.” — Michael Rubin on listening to bands in the same genre

Question 07
The June run takes you through Rochester, Toronto, Ottawa, Indianapolis, Detroit, Chicago — a real cross-section of scenes. Do you approach each market differently, or is the goal to play the same show every night?
Michael Rubin

Our goal is of course to put forth the same level of quality and musicianship every single night, but the audience is really what dictates the show’s energy. The way a show feels makes so much more of an impact than whether or not I play 100% of the notes right. That’s what makes live music special.

I think the only thing that really changes for me is the prep work I have to do for myself — for example, Denver is tough to sing in because of the altitude.

Question 08
Michael, you’ve said you’re a huge car guy and the 1959 Corvette was a lifelong dream. How much does that kind of personal obsession feed into the visual world around King Falcon’s music?
Michael Rubin

I have to fight the urge to include cars in a lot of things. My first instinct with album and single art is to throw a car on it — look at Cadillac.

A few of our songs are about cars. Ride is about my car. The chorus is: “Even though I know I should (sell it) / I don’t think I really could.”

Question 09
You’re promising “all-new music” as you roll into the rest of 2026. Without giving too much away — what’s the sonic direction, and does “Wait” point toward where things are headed?
Michael Rubin

My goal with the next releases is to increase the overall sonic richness of the band. Some people call it “ear candy.”

I don’t want the recordings to be bound by what is technically possible in a live setting. The record versions and the live versions will just end up being different things and that’s okay — it’s two interpretations of a mood and an idea.

I’m planning to experiment with more instruments and sounds that you may not see in our live show. Pianos and organs and maybe brass instruments. Unexpected flavors that broaden the King Falcon universe but with phrasing that is still fundamentally us.

Question 10
Last one — for someone who’s never heard King Falcon before, what’s the one song you’d hand them right now, and why?
Michael Rubin

Depends on what they like and their mood. If they like indie stuff I’d say “Holding Out.” But if they prefer harder rock I’d say “Plastic Crown.”

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